This week, our blog post is provided by everyone's favorite history professor/Sci-Fi reader, Matt Giddings!
Hello again! It’s your resident sci-fi/fantasy enthusiast history professor here. This time around, I thought I’d talk about an epic fantasy series (or two) by an author I enjoy named Tad Williams. Williams has written in a bunch of genres, but he first got his start in the late 80s and early 90s in the epic fantasy genre with a trilogy named “Memory, Sorrow, and Thorn.” (NB it was a trilogy in hardcover, but they split the last book into two paperbacks – it was too long to be published as one). Of late, he returned to the genre to write a sequel series called “The Last King of Osten Ard.” The last volume of this came out last November, and since then I’ve been re reading the first series and reading the second for the first time- and I have some thoughts!
So, let me start this out by saying I love some worldbuilding. If you write a book, and it’s in a secondary world and you need to put a map and an appendix in your book, I already preordered the hardcover. I’m here for it. That’s the kind of fantasy that Tad Williams is doing here – and he lands aesthetically, structurally, and thematically right square in the middle of a genre dominated by the Grandmaster of Fantasy, J. R. R. Tolkien. Let me just stop here and say that if you have never read The Lord of the Rings or the Hobbit, you obviously should because they are foundational to the genre of fantasy as we know it and also they are just good in general. I’ll keep banging this drum until I’m in the cold, cold ground, as I sure the membership of the St. Augustine Campus Book Club could tell you (I am looking at you Brenda Hoffman). Tolkien didn’t invent fantasy as a genre, but he casts the longest and largest shadow over the genre as it existed in the late 20th century in English – and Tad Williams clearly felt that he needed to write his way out from under that shadow when he started volume 1 of Memory, Sorrow and Thorn way back in the late 1980s. It’s all there – a young kid as main character, mysterious evil overlords, spooky wraiths, strange and cagey elves, magic artifacts (swords and not rings, but still) and a journey!
If Memory, Sorrow and Thorn was Tad William’s attempt to grapple with Tolkien, I think he succeeded. I don’t wanna spoil the plot, because it’s a good one and I’ve always enjoyed these books, but it really reads like almost a Tolkien homage in some ways. The books were very successful, and so well received that a TV script and short story writer named George R R Martin realized that you could do interesting things with multivolume fantasy stories, and as a result stopped painting miniature 13th century French knights and started writing a series of books about them fighting each other called “A Song of Ice and Fire.” No, really, I’m serious. And for Tad Williams, well he went off and wrote a lot of other stuff – some steampunk elf fairy tales, some cyberpunk fairy tales and even some elf fairy tales. He’s all over the place!
But readers (and maybe his publisher) and for sure his wife always nagged him about a Memory, Sorrow and Thorn sequel. So, he obliged. In 2017, he published a novella, “The Heart of What was Lost” that immediately follows the last book of Memory, Sorrow and Thorn and serves to set up the new series, which he began publishing soon after.
The most interesting thing about “The Last King of Osten Ard” to me is that Williams has, like American fantasy in general, kinda drifted away from Tolkien since the 1980s. This series features (some) of the same characters, but it’s been 30 years for them – they are older, and so is Williams.Reading these books I can’t help but be struck by the absence of the familiar Tolkien tropes – no long journey (he handwaves a lot of the travelling) the presence of a much more complex and interwoven plot, and perhaps most strikingly the bad guys aren’t faceless evil goons – they have a major role in narrating the plot. Not only is that a change from “Memory, Sorrow and Thorn”, it’s a huge change from Tolkien, where the Orcs and Sauron himself are largely unseen antagonists, other than the battlefield. There’s still some Tolkien in the books – it is fantasy after all. But it’s a more mature writer embedded in a genre that spent the last 30 years continuously moving away from some of the tropes that had been crystallized by Tolkien – and for all that I love The Lord of the Rings, it is refreshing.
Now, it’s not only Williams that’s doing this – Brandon Sanderson and Joe Abercrombie are two writers that come to mind, and no discussion of “Fantasy that’s not Tolkien on purpose” is complete without a mention of the towering presence of Steven Erikson, who has written the most consequential fantasy series of the last 30 years while at the same time deliberately rejecting Tolkien as a matter of course (and his books have SO MANY maps and a huge appendix!). But, Williams is a fascinating example of a writer who started in one place and went to another, and you can read him as he goes – and the books he wrote on the trip are excellent!
I’ve got one more book in “The Last King of Osten Ard” left, so soon I’ll have some thoughts about the series as a whole – you can always find me and chat about it on either the Palatka or St. Augustine Campuses!
Here’s the whole series, in order, for reference:
Memory, Sorrow and Thorn:
- The Dragonbone Chair (1988)
- Stone of Farewell (1990)
- To Green Angel Tower (1993) (2 volumes in paperback)
Interquel:
The Heart of What was Lost (2017)
The Last King of Osten Ard:
- The Witchwood Crown (2017)
- Empire of Grass (2019)
- (interquel) Brothers of the Wind (2021)
- Into the Narrowdark (2022)
- The Navigator’s Children (2024)