The release of Peter Jackson’s The Beatles: Get Back over the 2021 Thanksgiving holiday weekend brought about a series of new perspectives on the Beatles. For the first time, the average fan was given a look into the Beatles’ exclusive studio activities. We got to see how the Beatles wrote their songs, what the different interpersonal dynamics were like, what they wore in their everyday lives, how often they apparently showered, what kinds of things they ate and drank, and a number of other quaint, personal behaviors. It was incredibly humanizing and showed that some things were clearly a bit more nuanced than popular history might have us believe, and others were, apparently, blatantly wrong. It also awakened a new avenue for analysis in the study of Beatles history, which was until recently beginning to grow stagnant. 

One popular theory among the older generation of Beatles fans is that Yoko Ono, John Lennon’s eccentric avant-garde artist girlfriend (and later wife) caused the breakup of the band. Get Back, however, paints a different picture of Yoko. Throughout the eight-hour, three-part documentary, she spent much of her time reading, knitting, sewing, eating her lunch, and listening to the band talk and rehearse. When she did speak, it was usually very quietly and politely. Only once or twice did she verge on screaming, and that was in the context of a jam session in which she is a vocalist. Paul McCartney’s fiancée Linda Eastman was also present, and she took on a much more active (though still not antagonistic) role than Yoko, photographing the band in the studio and joining in during conversations about the band’s plans for their January 1969 project. When George Harrison briefly quit the band during the recording of this documentary, it wasn’t because of anything Yoko (or Linda, for that matter) said or did. It was because he was tired of Paul and John talking over him and ignoring his creative input. Yoko was just as taken aback by his departure as the rest of them. 

Also in 2021, two books examining the Beatles through the lens of women’s history were published: A Women’s History of the Beatles by Christine Feldman-Barrett, a professor of sociology at Griffith University in South East Queensland, Australia, and Beatle Wives: The Women the Men We Loved Fell in Love With by Marc Shapiro, author of more than sixty self-published celebrity biographies. 

A Women’s History of the Beatles is a thorough examination of not only the lives of the women in the Beatles’ lives and the ways they inspired the “Fab Four” artistically, but an examination also of the complex interpersonal relationships that developed between the Beatles, the women and girls they knew, and women and girls in fandom spaces. Dr. Barrett’s research is extensive and interdisciplinary. She considers a variety of sources—many of which are by women who were Beatles fans in the 1960s and beyond—and contemplates the historical, social, sociological, and psychological impact of the Beatles on women and women on the Beatles. 

While A Women’s History of the Beatles was more academic, Beatle Wives is just the opposite, focusing more on current pop culture interests. It also isn’t as good in my opinion as both a scholar and a fan of the Beatles and their wives. Much of Shapiro’s information comes from reprintings of reprintings (of reprintings of reprintings of...), often of misinformation or misconstrued information. His citations are often baffling (on more than one occasion, he cited Wattpad, a popular young adult fanfiction website). And while claiming to want to do the women he’s discussing justice by telling their previously untold stories, he frequently speaks about them in minimizing ways and repeats information which other writers have concluded are probably merely rumors based in sexism and, in the cases of Yoko Ono, May Pang, and Olivia Arias-Harrison, also racism. 

Nevertheless, it seems that 2021 and the one-and-a-quarter years since have shown an increase in interest in a new lens through which to view Beatles history: women. As a women’s historian, and as I am writing a book about Maureen Starkey Tigrett (Ringo Starr’s first wife), this is a heartening thought. I look forward to whatever new stories and perspectives may arise as a result. 

Cover ArtThe Beatles: Get Back by The Beatles; Peter Jackson (Foreword by); Hanif Kureishi (Introduction by); Ethan A. Russell (Photographer); Linda McCartney (Photographer)
ISBN: 9780935112962
Publication Date: 2021-10-12
The book opens in January 1969, the beginning of The Beatles' last year as a band. The Beatles (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day's work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt. The Beatles: Get Back tells the story of those sessions through transcripts of the band's candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions-Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson's documentary is also drawn. Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, "In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles. "It would be fair to say that today Let It Be symbolizes the breaking-up of The Beatles. That's the mythology, the truth is somewhat different. The real story of Let It Be has been locked in the vaults of Apple Corps for the last 50 years." - Peter Jackson