The Book Blog - Learning Resources at St. Johns River State College

Imagine a world suffering from an unleashed Arctic Plague. Imagine watching how, throughout generations, this plague reshapes life on earth. Imagine what the world will be like as climate changes the landscape of the world we know and how we’ll react as a human species. Imagine how technology will continue to change and evolve. You’ll get to do all this and more while reading How High We Go in the Dark by Sequoia Nagamatsu.

One of the things that I like best about this book is that it’s more like a collection of intertwined short stories than a proper novel. Each chapter has a new perspective and a new story. The chapters are weaved together to illustrate the connection between characters in their shared experience with these larger-than-life topics, like plague and climate change. It takes a few chapters before the links start to show themselves, but it was neat to watch them develop throughout the book.

Some of the chapters felt relatable in the aftermath of COVID-19. Nagamatsu’s imaginative stories of a new plague made me realize how fortunate we were in the wake of an unknown sickness. Many of these stories put into perspective how much worse the impact could have genuinely been. One of the heaviest chapters focuses on how different a plague would look if children, rather than the elderly or infirm, were the susceptible group.

This is a unique book. You’ll get everything from mourning rituals to space travel. The stories kept me entertained, and since there was no singular storyline, I didn’t find myself guessing what might happen next. I was just able to enjoy the ride. I will be watching for future works from this author- he’s found a fan in me.

How High We Go in the Dark by Sequoia Nagamatsu

ISBN: 9780063072640

Publication Date: 2022-01-18

NATIONAL BESTSELLER * NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE * ROXANE GAY'S AUDACIOUS BOOK CLUB PICK "Moving and thought-provoking . . . offering psychological insights in lyrical prose while seriously exploring speculative conceits." -- New York Times Book Review "Haunting and luminous . . . Beautiful and lucid science fiction. An astonishing debut." -- Alan Moore, creator of Watchmen and V for Vendetta Recommended by New York Times Book Review * Los Angeles Times * NPR * Entertainment Weekly * Esquire * Good Housekeeping * NBC News * Buzzfeed * Business Insider * Bustle * Goodreads * The Millions * The Philadelphia Inquirer * Minneapolis Star-Tribune * San Francisco Chronicle * The Guardian * PopSugar * Literary Hub * and many more! For fans of Cloud Atlas and Station Eleven, a spellbinding and profoundly prescient debut that follows a cast of intricately linked characters over hundreds of years as humanity struggles to rebuild itself in the aftermath of a climate plague--a daring and deeply heartfelt work of mind-bending imagination from a singular new voice. In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus. Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects--a pig--develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead to interstellar starships, Sequoia Nagamatsu takes readers on a wildly original and compassionate journey, spanning continents, centuries, and even celestial bodies to tell a story about the resilience of the human spirit, our infinite capacity to dream, and the connective threads that tie us all together in the universe. "Epic . . . Sequoia Nagamatsu is a writer whose imagination is matched only by his compassion, the kind we need to light our way through the dark." -- Chloe Benjamin, New York Times bestselling author of The Immortalists "Wondrous, and not just in the feats of imagination, which are so numerous it makes me dizzy to recall them, but also in the humanity and tenderness with which Sequoia Nagamatsu helps us navigate this landscape. . . . This is a truly amazing book, one to keep close as we imagine the uncertain future." -- Kevin Wilson, New York Times bestselling author of Nothing to See Here

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How I Embrace Autumn in Sunny Florida

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By the pricking of my thumbs... A review of this year's three 'Macbeth' retellings

I’ve been on something of a Macbeth kick this year. For some reason, several authors have written “feminist” retellings of Shakespeare's Scottish play this year, all from the perspective of Lady Macbeth, and I can't be blamed for falling down this particular rabbit hole.This started a few months back when I was scrolling through NetGalley—an online service which allows library professionals, educators, and online influencers to read books before they’re published in exchange for reviews—and I came across a book by Val McDermid called Queen Macbeth. I had never read anything by McDermid before, and I didn’t really know anything about her other than that she is one of the most well-known modern authors in Scotland, but I knew I liked Macbeth, so I decided to give this book a chance. Dear reader, I wish I hadn’t because it was genuinely the worst book I’ve read this year so far.Queen Macbeth is told across two alternating timelines, the first, during Gruoch’s (that’s Lady Macbeth’s historical name for those unaware, as I was) marriage to her first husband when she met her soon-to-be second husband Macbeth, and the second, about twenty years later. I’m not sure why this story is told in alternating timelines, though, because the two are not connected in the slightest, and so far as I could tell, there was no plot to this book. Perhaps the alternating timelines existed as a means of hiding that there was no plot. I couldn’t figure it out, and I still can’t.The second Lady Macbeth book I read was significantly better, if only because it did have an actual plot, and it was generally fun to read, even if it made very little sense at first. In Lady Macbeth, author Ava Reid presents readers with a completely new, never-before-seen Lady Macbeth, replacing the middle aged Scottish leading lady of Shakespeare’s Scottish play with a French teenager named Roscille, also called Roscilla, Rosele, and Rosalie at different points in the story… apparently for the sake of linguistics. As someone with a degree in European history, I understood what Reid was going for, but I thought that it exposed a deep misunderstanding of how medieval and early modern spellings actually worked rather than adding depth and nuance to her retelling as she thought it did.Roscille is seventeen and the illegitimate daughter of a French nobleman who has married her off to some distant, isolated lower member of the Scottish noble class in order to get rid of her because she is a nuisance. Sometime before her marriage, Roscille was accused of charming a stable boy with witchcraft, and as punishment, she had to watch as her father had the boy executed, and was forced to wear a veil at all times following this incident in order to protect men from her treacherous gaze, something which she wholeheartedly believes in.When she marries Macbeth, she refuses to remove her veil in his presence even when they are alone, and she also refuses to consummate their marriage until he brings her three very specific gifts that she thinks will be difficult to procure. She is terrified of her husband and views him as brutish and harsh and unpredictable, and thus does everything in her power to avoid displeasing him, including allowing him to pressure her into committing several murders for him (a stark contrast to the OG Lady M, who pressured her husband into committing murder).This all appears to be a result of her trauma from seeing her father kill the first boy she loved and being forced to wear a veil so she doesn’t accidentally bewitch/seduce anyone else. I thought her belief that she was a witch who needed to be veiled was also a result of this trauma, but no. 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What did I just read?!

Well… I’m not really sure where to start this post. I decided at the beginning of this year that my reading goal was to stick with the genre that I love most – romance – but broaden my horizons within the genre. My least favorite and least read genre is fantasy/science fiction. Ever since I read Sarah J. Maas’ A Court of Thorn and Roses (ACOTAR) series last year, I decided that maybe I was too harsh on the genre of fantasy and should give it another go. So far, it hasn’t been too bad! But I’ve come to the conclusion that within the genre of ‘fantasy,’ I’m still not a huge fan of the “fae/fairy” stuff. Now, there have been some exceptions to this rule, such as ACOTAR, so I wanted to keep an open mind. That brings us up to our Book Club meeting on July 16th…Having discussed with the group about my goal of trying to read more fantasy/sci-fi but disliking “fae/fairy” stories, our very own Brittnee Fisher then recommended I should read, How Does It Feel? by Jeneane O’Riley. To be fair, she did warn me that it was a “fae/fairy” book and that she did not like it and that it was wild (and not in a good way). With a raving review like that, who could stay away? So, I quickly found and downloaded the book, then waited a few days (because I had no idea what I was about to dive into), then I got started…So, all I knew starting this book was that it was a well discussed book on BookTok and the synopsis on Amazon – A forbidden obsessionUnyielding family allegianceThree deadly challengesTHE HUMAN.When a trip into the forest to collect a rare mushroom goes horribly wrong, I find myself falling through a fairy portal and straight into the arms of the Unseelie Fae prince. The dangerously unhinged and handsome Unseelie Fae prince.What could be more horrible than that? He thinks I'm an assassin sent by the humans to kill him, not a biologist.Determined to kill me first, and rid himself of the human he has unwillingly grown obsessed with, yet also needing to entertain his people, the villain challenges me to three deadly trials.If I survive, I gain my freedom. But if not...The Fae.I've never felt anything but hate and loathing until my eyes found hers--the vile human assassin's. She is a parasite that has mercilessly latched onto my mind and won't let me free.My hand itches to be ungloved and feel her smooth skin, even though I would never. The Unseelie Fae royals would rather burn than touch a repulsive human.I fear that if I do not destroy the girl soon, she may be the only thing that's capable of truly destroying me. Let’s just say, this book was… a collection of interesting choices. First, the main heroine, who is a human, Callie, is just not very smart. She makes one horrible mistake after another that really left me confused. The main love interest, Prince Mendax, who is the prince of the unseelie court, is supposed to be an anti-hero/villain-who-gets-the-girl, however, he was BEYOND unlikable. Because he is the “villain” of the story, he was abusive and horrible with Callie, and it makes absolutely ZERO sense why she would end up falling in love with him. Speaking of falling in love, I’m still baffled as to how Mendax becomes interested in Callie. He is convinced for the ENTIRE book, that Callie has been sent to kill him. We also never get his perspective so his “love” for her really feels out of the blue. The “relationship” that forms over the course of this book is best described as toxic. Basically, Mendax starts off hating and abusing Callie and then ends up being an obsessed stalker. There is also a twist at the end that I have to say, I didn’t see coming, and I guess, cleared up some confusion about the plot. However, the book ends on a cliffhanger and left me feeling uncomfortable with the toxic relationship and confused with the overall choices the author made.But obviously I had to read the second book! What Did You Do? is the title and it is even more wild and confusing than the first! I won’t go into too much detail into this book since the main plot is about the twist at the end of the first book. However, another love interest enters the picture to create a sad and messed up love triangle between the three characters. Things got even more wild and crazy with the plot, and it ended on another cliffhanger.I believe that there are supposed to be two more books in this series and honestly, I’m probably going to read them. So far, these books are like car wrecks, you can’t help but look! I can also honestly say that I said to myself, out loud, “what the heck am I reading?” multiple times while reading these books.So, with all that being said, if you want to read something crazy (and not in a good way), check these out! And if you too are uncomfortable and confused by these books, we can all thank Brittnee for that!...

Bright Young Women defeat a law school drop-out

Top left: Bright, young women Lisa Levy, Margaret Bowman, both murdered by Bundy.Bottom left: Bright, young women Cheryl Thomas, Karen Chandler, Kathy Kleiner, all injured by BundyNita Neary, a member of the Chi Omega sorority, came home to find Ted Bundy (Left-artist’s rendition with Neary’s description; Right-photo of Ted Bundy) running from the house.Chi Omega Sorority House description of Bundy’s attack On January 1, 1978, at 4:00 am, serial killer Ted Bundy brutally murdered two women and injured three others (see first photo above) at the Chi Omega Sorority House on the Florida State University campus in Tallahassee, Florida. Nita Neary, sorority sister to the women, saw Bundy run past her and out the front door. Later, she would become a witness for the prosecution at the trial that convicted what the judge would call at his sentencing a “bright young man.” Seeking to correct the judge’s ridiculous and erroneous description of the sadistic murderer who kidnapped, raped, and killed at least 30 women, Luckiest Girl Alive author Jessica Knoll wrote Bright Young Women. When I re-watched the judge at Bundy’s trial attributing those compliments to Bundy, I am in disbelief, and I have always felt sickened by the positive adjectives heaped on this killer. After finishing graduate school and moving to South Florida in 1989, I worked in a high school where Bundy’s crimes were still on the faculty and staff’s minds. Buried deep in my subconscious, I was reminded of his murders when a fellow teacher recalled dropping her daughter off at FSU. “You remember what happened [at FSU] when Bundy killed those sorority girls.” No, I hadn’t remembered, and she reminded me admitting that parents were still haunted by the killings and dropping their bright young daughters off at FSU scared them to death.I was in eighth grade when Bundy killed these bright young women, but I wasn’t aware of the stranglehold that his crimes had on a nation mired in Vietnam fatigue and Watergate. Today, viewers can’t get enough of true crime, and I counted 30 shows currently on Netflix alone that will quench viewers’ thirsts, including “Conversations with a Killer: The Ted Bundy Tapes.” Googling “shows about Bundy” displays the following hit: Present-day interviews, archival footage and audio recordings made on death row form a searing portrait of notorious serial killer Ted Bundy. Watch all you want. Knoll destroys his “bright young man [ness]” when she refuses to call him by name; instead, she refers to him as the defendant. When the judge referred to him as “bright,” she reminds the reader that he was in the bottom fifth of law school, and he wasn’t accepted to ANY of his top choices. He also attended the University of Utah School of Law, but only because of falsified documents. Few people know that although Bundy did represent himself at his murder trial, he had a “team” of lawyers at his side to act as advisers. Knoll surmises that he acted as his own attorney so that he could “relive his crimes.” And finally, he NEVER earned his law degree. Spending his time as a serial killer may have hindered his studying for exams.Knoll reminds the reader how the New York Times played a part in wrongly characterizing the defendant referring to the serial killer as a “terrific looking young man with beautiful eyes, light brown hair…Kennedy-esque.”When the defendant stuffed his prison cell keyhole with toilet paper to cause his tardiness to the courtroom during his trial, reporters called him “clever.” Knoll’s response: “I have a dog who rips up toilet paper when he doesn’t get his way, too.” I’ll allow the reader to connect the dots here.All too often, the victims of crimes are shoved to the background, while the perpetrators occupy the foreground. Reading Bright Young Women reminds the reader that honoring the lives of Lisa Levy, Margaret Bowman, Cheryl Thomas, Karen Chandler and Kathy Kleiner eclipses the scores of TV shows and movies devoted to a not-so-bright sadistic murderer. ...

How High We Go in the Dark

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