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The Book Blog

09/02/2025

Readers come to stories in myriad ways. Friend recommendations. Book clubs. Best-seller lists. Perusing the library shelves. Deep dives into genres. Blogs, like this. For me, every so often, a title alone sinks its hooks into me, and I just have to explore it. I stumbled across one of my favorite books this exact way--through its enigmatic title: My Grandmother Asked Me to Tell You She’s Sorry by Fredrik Backman.

This Swedish author’s claim to fame is probably his best-selling novel, A Man Called Ove, made into a Swedish film in 2016 and an American adaptation, A Man Called Otto starring Tom Hanks. Incidentally, after working closely with Hanks on the film, Backman gifted him a Swedish typewriter to add to his collection. I digress. Backman has many other titles to his name, and while all have received much acclaim (his latest, My Friends, was chosen for Jimmy Fallon’s Book Club) My Grandmother holds a place in my heart.

Readers immediately fall in love with Elsa, the seven-year-old protagonist. Backman writes in the opening sentence, “Every seven-year-old deserves a superhero. That’s just how it is. Anyone who doesn’t agree needs their head examined.” Elsa is precocious and different and her only friend/superhero is her Granny. When Granny dies, Elsa is left alone to field life in all its weirdness and, per Granny’s request, to deliver a series of apology letters to people Granny has wronged. Despite being sad and angry at losing her Granny, Elsa takes her task seriously and embarks on an adventure meeting the quirky cast of individuals that have populated Granny’s fairy tales. Readers see in Elsa and Granny the complexities of being human and not only navigating a devastating loss but also learning to live. Ultimately, Elsa’s broken heart is mended. We’re all left learning much about family, forgiveness and ultimately embracing individuality. Backman’s storytelling is funny, heartwarming, and poignant, “One day at a time. One dream at a time. And one could say it’s right and one could say it’s wrong. And probably both would be right. Because life is both complicated and simple. Which is why there are cookies.” 

If a quirky title is all it takes to get you to read the rest of the book, check this one out. 

No Subjects
08/25/2025
profile-icon Kayla Cook

Grady Hendrix is one of my favorite authors, and with Spooky Season coming up, what better time to start talking about some spooky books than now (not that I’ve ever needed an excuse)?

As a disclaimer, this list does not include Hendrix’s self-published novellas, his early short story collection, or his nonfiction works, as these are not as widely accessible and many exist in categories outside the genre of horror. Below, I’ve ranked all seven of Hendrix’s mainstream-published horror novels, as well as the two short stories he’s published in the last few years as part of Amazon’s Creature Feature and The Shivers collections, which feature short horror stories by top authors in the genre like Stephen Graham Jones (The Only Good IndiansI Was a Teenage SlasherThe Buffalo Hunter Hunter) and Joe Hill (20th Century GhostsNOS4A2The Fireman).

9. We Sold Our Souls

Overall Goodreads Rating: 3.71/5 stars

My Goodreads Rating: 2/5 stars

One-sentence summary: Kris, a former heavy metal guitarist, fights back against a former bandmate who once betrayed her and who is now in league with dark supernatural forces.

Relevant subgenres and tropes: Supernatural/paranormal horror, cult horror, vague slasher vibes

The premise was interesting, and it had a lot of potential, but it felt oddly lackluster and disappointing for what it was. The one thing he did successfully in this book is the thing that makes so many of his other books so great: the way he writes friendships between women. There just wasn’t enough of it for me to care about this book, like, at all. I thought the section where Kris and Melanie crossed paths was amazing, but I almost wish that they'd been friends the whole book, or that we'd at least gotten a more satisfactory ending for the two of them. As it was, this book felt underdeveloped, and the relationships between Kris and her bandmates (all men) just felt kind of so-so, while every woman who wasn't Kris or Melanie felt like an extra in a movie who had no personality.

8. How to Sell a Haunted House

Overall Goodreads rating: 3.65/5 stars

My Goodreads rating: 3/5

One-sentence summary: Following the sudden death of her parents, a single middle-aged mother must travel back to her hometown to help settle her parents’ affairs and clean out the house while dealing with her man-child brother (and also some creepy dolls, puppets, and taxidermized woodland creatures).

Relevant subgenres and tropes: Supernatural/paranormal horror, haunted/possessed dolls

This one wasn’t technically bad. I didn’t dislike it. I just got a bit bored with it by the end because there was a mystery, and it didn’t seem like anything was being done “on-screen” to solve that mystery. The dolls and puppets were pretty creepy and weird, and at points a bit upsetting. The squirrels were honestly kind of hilarious. While this one wasn’t my favorite, I’d still recommend it as a fair example of what Hendrix’s work is like—if you’re patient enough to get past some of the boring bits.

7. Horrorstör

Overall Goodreads rating: 3.65/5 stars

My Goodreads rating: 3/5 stars

One-sentence summary: A woman working at an Ikea-knockoff store is voluntold to work overnight while the store is closed to help solve the mystery of whether or not someone has been sneaking into the store at night—but the truth is way weirder.

Relevant subgenres and tropes: Supernatural/paranormal horror

I think the most fun part of this book is that the physical copy is laid out like an Ikea catalog. There are diagrams and store maps in the front matter, and throughout, there are pictures of the furniture described in the book that get more and more unhinged as the story progresses.

Other than that, much like the previous book, this book was just kind of boring. And much like the previous two books, it was lacking in the female friendship department. I wish there’d been more of that, and some more intrigue and more of an explanation of whatever the deal with the restless spirits was.

I did appreciate the retail worker representation, and the night-shift worker representation in this one. A lot of this weirdly felt the same as working nights at Walmart when I was in grad school during the pandemic.

6. My Best Friend’s Exorcism

Overall Goodreads rating: 3.93/5 stars

My Goodreads rating: 4/5 stars

One-sentence summary: A group of girls spend the weekend at a friend’s parents’ lakehouse doing teenager things like swimming in the lake, going for walks outside, and playing with a ouija board; over the next few weeks, one of the girls goes through a rapid decline, and her friend determines she must be possessed by a demon.

Relevant subgenres and tropes: Supernatural/paranormal horror, demonic possession, possession as a metaphor for sexual trauma, period piece (1980s)

This was the second book I read by Hendrix, and I didn’t love it as much as the first one I read, but by this point, I knew what I loved most about his books: the way he writes women’s friendships. For a man, he does this tastefully and with incredible authenticity, which makes me feel like he must have grown up in a predominantly female household, or he was the only boy in his friend group when he was in school.

Regardless, I loved this book right up until the actual exorcism scene, which I thought was really cheesy and embarrassing, though I did understand what he was going for. Up until that point, I loved the various character interactions, and I loved the main character’s commitment to her friend and finding out what was wrong and how hard she fought to help her. There were cringey moments—of course there were! That’s Hendrix’s whole thing—but nothing felt out of place or made me actually roll my eyes until the exorcism happened.

5. The Final Girl Support Group

Overall Goodreads rating: 3.51/5 stars

My Goodreads rating: 4/5 stars (probably closer to 4.5 if I’m being fair, but I don’t like slashers)

One-sentence summary: A member of a support group for real-life “final girls” (the survivors of slasher attacks) realizes someone is killing off the women from her support group and now must battle her own intense PTSD and social awkwardness, as well as the killer, to try to stop him before he kills anyone else.

Relevant subgenres and tropes: Slashers, references to supernatural/paranormal horror and Lovecraftian/Eldritch horror

I initially rated this one 3/5 stars when I first read it, but after reading We Sold Our Souls and really disliking that one, I realized Final Girl Support Group actually wasn’t that bad. In fact, all the action, humor, drama, and gore were there, and there was an excellent mystery plot that was full of twists and turns. I just really don't like slasher movies, so I don’t feel like I probably got as much out of this one as someone who does like those kinds of movies might have. If you love slasher films, this might be an excellent book for you!

4. “Ankle Snatcher” (part of Amazon’s Creature Feature collection)

Overall Goodreads rating: 3.70/5 stars

My Goodreads rating: 4/5 stars

One-sentence summary: Ever since his father suffered a mental break and murdered his mother, Marcus has feared the dark and romantic intimacy; one night, a date sleeps over at his apartment—and makes the mistake of turning off the light.

Relevant subgenres and tropes: Psychological horror, supernatural/paranormal horror, generational trauma

This is Grady Hendrix’s only mainstream-published work told from the perspective of a man, which I find fascinating. He’s very good at telling women’s stories, but I never considered until I read this that he never really writes about men’s thoughts and experiences, so it was interesting to see this shift in perspective.

While this story and The Final Girl Support Group both get four stars, I definitely like this one more because I tend to prefer supernatural or paranormal horror over horror stories featuring humans killing other humans, and I think that’s what Hendrix does best anyway.

Also, shout-out to the Discovery Channel, which was basically a supporting character.

3. The Southern Book Club’s Guide to Slaying Vampires

Overall Goodreads rating: 3.79/5 stars

My Goodreads rating: 5/5 stars

One-sentence summary: A bored stay-at-home mom from Charleston, South Carolina, helps the new guy who moved in down the street get settled in after finding out he’s the nephew of the old woman with dementia who attacked her while she was taking out the trash, only to find out later that he’s a vampire who wants to take over the whole community.

Relevant subgenres and tropes: Vampires, monsters, supernatural/paranormal horror, vampirism as a metaphor for sexual violence

This was the first book by Hendrix I read, and even after reading all the rest, it’s still one of my favorites. This one really is Hendrix at his best, and this is probably the book I’d recommend first if someone asked me what a good book by him is, or for a good modern twist on the vampire novel. There are a lot of fun callbacks to other vampire books, films, and TV series, and lots of strong female characters.

2. “The Blanks” (part of Amazon’s The Shivers Collection)

Overall Goodreads rating: 3.95/5 stars

My Goodreads rating: 5/5 stars

One-sentence summary: Wealthy families staying on Jekyll Island live in relative peace and harmony amid the idyllic landscape—there’s just one rule: don’t look at the monsters that call the island home.

Relevant subgenres and tropes: Supernatural/paranormal horror, paranoia

This short story came out earlier this year, and I was really excited about it because I got to read it early, before it was published. Hendrix did not disappoint.

While many of his earlier works have felt very kooky and campy and silly, this felt like a very serious, almost Stephen-King-esque horror story. There was no comedy to break up any of the tension. Hendrix told the story straight, and for the first third or so, it read like a simple summer story about a family on vacation. Then came the first sighting of “The Blanks,” monsters native to the island that are sort of hard to describe. But what they look like doesn’t matter so much as what they do, which the main character doesn’t exactly tell us at first, which adds to the suspense.

 The main character lets her son go ahead of her to the beach to meet his friends, and later, she learns that he saw a Blank attack another person. She asks him if he looked at it, and he swears he didn’t. If he did, it was only for a moment.

But only a moment is enough.

She becomes paranoid and locks her family up in their house, locking and barring the doors, shuttering and boarding up the windows, convinced that because the Blanks saw her son, they will come back for him.

This story was only 35 pages, but it was terrifying. I think he could have stretched it out into a whole novel if he wanted, but I respect the decision to keep it condensed into a short story because this is one of the best things he’s written, and one of the best short horror stories I’ve ever read.

1. Witchcraft for Wayward Girls

Overall Goodreads rating: 3.96/5 stars

My Goodreads rating: 5/5 stars (I’d give it more if I could)

One-sentence summary: An unwed pregnant teen is sent to a home St. Augustine, Florida, against her will by her parents to have her baby and then give it up for adoption; along the way, she befriends the other girls in the house and together they learn the true meaning of friendship, love, and family, and that being a woman means supporting other women.

Relevant subgenres and tropes: Witches and witchcraft, supernatural/paranormal horror, period piece (1970s), fantasy

I struggle to agree with the classification of this as a horror novel. It wasn’t really scary to me (except for the graphic description of the protagonist giving birth, and the sense of discomfort and anxiety I felt throughout every time one of the girls was scared or hurt or sick), but it was an amazing book with some really interesting fantasy elements. I was impressed for a number of reasons, but mostly because this was a book written by a middle-aged man about a bunch of pregnant teenage girls. There was a lot that could have gone wrong simply because he was writing about an experience he has never had and never has to worry about, but in reality, there were only one or two things that made me go, “I… don’t think that’s how that works.” Hendrix did his homework, and he listened to enough stories from people who had been pregnant and given birth before to get those elements as close to accurate as they possibly could have been. Between this and “The Blanks,” I think Grady Hendrix is really coming into his own as a “serious” author.


Copies of many of these works can be found across the three campus libraries.

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08/17/2025
profile-icon Brenda Hoffman

 

Caleb Strite, former writing tutor on the St. Augustine campus, and Professor Matt Giddings enjoy reading and talking about books. This week's blog features them making a case for reading Spiderlight and Made Things by Adrian Tchaikovsky

Matt begins the discussion: Whenever we—Caleb Strite and Matt Giddings—talk, we nearly always end up discussing one or another of Adrian Tchaikovsky’s works. A prolific and versatile writer, Tchaikovsky has published many sci-fi and fantasy novels that really wander all over the genre. But there does seem to be one theme that he just can’t quite get away from: non-human intelligence. It shows up over and over in his work, and not just as a superficial depiction of aliens or fantasy races; it’s a topic that he likes to chew on and deeply explore in his work. This makes his work stand out from other depictions of diverse life in sci-fi and fantasy. Consider, for example, “Star Trek” and Star Wars. Most of the aliens in either of those media franchises are merely slightly odd people. There’s no awareness of the idea that a fundamentally alien life form might have radically different cognition than we do (there is one obvious exception that comes to mind, that of the Horta, a silicon-based rock creature in The Original Series, S1E25). Tchaikovskly, on the other hand, wants his sentient species to have all the qualities that aliens do in other media with the added depth of spending time pondering how biological beings entirely separate from humanity would think, see, and experience the world. The pinnacle example of this is Children of Time, his award-winning novel from 2015. While we could easily spend pages hyping that book up (and you really should check it out), we wanted to focus on two of his shorter works that delve into his skill of crafting conscious creatures.

Made Things, a novella of his that Tor Dot Com published in 2019, is another attempt to depict and wrestle with the idea of non-human intelligence. In this case, it’s homunculi—little made objects animated by magic. The setting is a big fantasy city and the main character, Coppelia, is a thief and scam artist living in the slums, eking out a criminal existence in the city’s underclass while she warily avoids the authorities. What makes her story interesting, however, is that she’s got some friends—homunculi—who have taken up with her because she can make puppets, and that skill might allow her to craft bodies for the homunculi’s children. 

I think that Made Things suffered from being a novella. The fantasy setting is described only briefly, and the plot is quite speedy, which is what you need in a 175-page novella, but as a result, the most interesting thing in the story—the origins and society of the homunculi—is given only a brief and partial glimpse. In Children of Time, for example, the spiders who are the aliens in the story get a huge chunk of space in the text, which allows Tchaikovsky to spend a long time explaining their societal development and cognition. In Made Things, that really wasn’t possible given the limits of the story; instead, a brief but tantalizing depiction of a tower with magic that animated all the objects in it resulting in a society of animated candles, paper, rope, and cloth people has to suffice. It’s so tantalizing: “[t]he Folded One who kept and taught the lore of magic, the great and varnished lords of the Woodmen, the polished metal chiefs of the Sculls, the most embroidered Fabrickers, the Candle Kings, all the leaders of the different tribes” a glimpse of a whole hierarchy of little made people! It was a shame, since I really wanted to know about the social class system of the tower works! Why are little paper people in charge? (They’re made of folded up pages of spellbooks, origami style!!). 

Having said that, I still enjoyed Made Things a great deal—at this point, I’ve read more than 25 of Tchaikovsky’s books, and he hasn’t had a miss yet. Made Things is by turns, exciting and bittersweet. I just wish it were another 200 pages longer! I sometimes get the impression that Tchaikovsky is so bursting with ideas that the novellas he writes are just to get these ideas out of his head and on paper. And so, what might have been a long novel detailing the homunculi society is a series of brief glimpses instead. 

The interesting thing here, re: non-human intelligence is that the homunculi aren’t really all that different than humans, cognition-wise. They seem to think the same as we do, which is unusual for a Tchaikovsky book. Instead, they have interesting motivations: the gathering of materials for bodies (babies, actually) and the gathering of magical items to power the ‘birth’ of the new babies. The fascinating and unexpected thing is that the homunculi broke out of their home and entered the world to complete with the humans: “[the wizard] had not meant a thriving culture of made-people to grow up about his frozen ankles; he had not meant any of it, and whatever meaning they could lay claim to came from their actions, and not their mythology.” The made people even have myths! 

Caleb’s turn: Another aspect of Tchaikovsky’s non-human exploration is comparing humanity to those non-humans and exploring what it means to be a ‘person’—sentient, intelligent, and equal. I recently read Spiderlight, which is another novella originally published in serial form by Aethernet magazine in 2013; it is ostensibly a classic fantasy tale about a disparate band of heroes on a prophesied quest to end the reign of a dark lord, but beneath this veneer is an inquiry into what it means to be human and whether non-human beings are equal to human

Spiderlight opens with Nth, a spider living in a forest called Mother’s Brood with his brethren. The opening sentence sets up a key difference between spider kind and humanity: speech and communication. “The words that twanged and thrummed their way to Nth said, New food coming, and he stirred, resettling his legs to take the measure of the message.” As in Children of Time, Tchaikovsky highlights the fact that spiders fundamentally do not possess a sense of hearing and therefore communicate through vibrations in the ground and webs. Tchaikovsky sets this in direct contrast to the humans. Dion, a priestess of the Church of Armes (the ‘light side’), later communicates telepathically with the matriarch of the spider society, Mother, and yet doesn’t believe that she is fully intelligent, hearing “A resonant, female voice, but that was just her imagination gifting humanity and character where there was none.” As part of a deal they make with Mother, Nth is sent as a guide to aid the party on their quest. However, they immediately run into a dilemma: Nth has no way to communicate with them. Their solution is for their mage, Penthos, to transform Nth into a human form. Though an incredible feat, this endeavor is not fully accomplished, and Nth is made into a not-quite human in ‘uncanny valley’ territory. Luckily, Penthos is magically able to impart many of his concepts and his ability of speech to Nth.

Yet, Nth initially struggles with his new form. “At first the new body… had dominated his attention…” Instead of being able to sense every vibration through the ground and webs, “there was a raucous cacophony of sound that battered in through his unwanted ears, out of which, somehow, he could still parse the gibbering that was the way that these Men communicated among themselves.” Nth is also baffled by his magnified ability to see (not helped by the fact that Penthos was unable to gift him with eyelids), and the constant visual overstimulation lends to his struggle to adapt.

 With this foundation, each member of the party struggles with varying difficulty in accepting Nth as a fully sentient equal. A key aspect of this is accepting that Nth, a spider and a “creature of darkness,” holds emotions and motivations that are as valid as humanity’s. They initially refer to him as a freak and “it.” Conversely, Nth himself has a journey of accepting humanity; “He had been trying to think of his captors as just ‘Man,’ the homogenous mass he had perceived in the forest, but… They were individuals, each with different things to fear and loathe about them.” Seeing each other as individuals worthy of equal status is the crux of Spiderlight, and Tchaikovsky expertly navigates the topic. The novella also deals with religious extremism and the dangers of “othering” groups of people into good and bad categories, the message ultimately being that each other as individuals with hopes, emotions, dreams, and humanity is paramount.

We hope you enjoyed thinking about non-humans with us! We’re both big fans of Tchaikovsky’s works, and I think I can say we’d both recommend anything of his to any reader looking for an interesting and thought-provoking time! As always, feel free to stop by the Readers’ Guild on the three St. Johns River State College campuses to chat about what you’re reading!

 

Book page preview 1 of 3. Click to open preview.
Book page preview 1 of 3. Click to open preview.

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The Long Walk Cover
08/11/2025
profile-icon Dr. Brittnee Fisher

It’s no secret to my close friends and family that I am a big fan of the John Wick movies. Keanu is a dreamboat, isn’t he? So, when the newest film, The Ballerina, hit theaters, I made time to go see it. And it was great (if you don’t mind a ton of violence). 

Even though you can reserve your seats at most movie theaters these days, and you don’t have to arrive early to get a good spot, I still enjoy arriving early to check out the new movie trailers. I do my best to stay off social media, and the web at large, so this is occasionally my only way of catching up on this piece of popular culture. Oddly enough, sometimes these trailers help me discover new books, as is the case with my experience with The Ballerina.

A trailer featured before that film was for a movie called The Long Walk. JT Mollner and Stephen King wrote the screenplay for the film. Spoiler alert, it is based on a Stephen King book by the same name. However, this book was published under King’s “Richard Bachman” pen name. This explains why I wasn’t familiar with the book. I hadn’t yet delved into the Richard Bachman universe. 

I immediately got ahold of a copy of The Long Walk on audio because the trailer intrigued me. King kindly provided an essay on the demise of the “Richard Bachman” pseudonym in addition to the book, which was an interesting take. What the essay failed to deliver was the overall reason why he chose to use the pen name to begin with. 

Jake Rossen wrote an informative article for Mental Floss about the situation called Known Alias: How Stephen King was Outed as Richard Bachman. This article provided the context I was looking for; I won’t spoil it here in case you are interested in reading the article in full. I will say that if you’ve read enough Stephen King, you wouldn’t be fooled by the pseudonym when it comes to The Long Walk. Stephen, we know you love Maine. You love Maine A LOT. You spewed Maine all over this book. I see you. 

Now, back to The Long Walk. The book was good, and I enjoyed it. However, I am excited for the movie because I am hopeful that King and his writing partner will provide more detail and context to a thought-provoking idea. Like most of King’s work, the character development in this story is superb. My only advice, though: don’t get attached to any of those characters! 

Be sure to read The Long Walk before the film is released in September 2025. 

No Subjects
08/04/2025
profile-icon Kayla Cook

A few semesters back, a student of mine (who recently graduated but had been a regular attendee of the Palatka campus book club) was reading Mary Shelley’s Frankenstein. I’m not sure if she ever finished reading it, but I remember being delighted by her reports at every meeting about what her “special little guy” Victor Frankenstein had been up to since we last spoke. I and several other regular attendees were captivated by her uniquely Gen-Z-style retelling of the story, and I remember being pleasantly surprised by how much fun she was having reading this book because it’s rare to find a student so excited about reading a classic. 

I minored in English literature as an undergraduate, and of all the authors of the Regency era, Mary Shelley has always stood out to me, though I had never read Frankenstein in its entirety. Widely considered a pioneer in both science fiction and horror, Shelley is said to have written the first draft of Frankenstein in a single night on a dare from Lord Byron when she was just nineteen years old. That fact, combined with our book-clubber's enthusiasm for the story (as well as the knowledge that Guillermo del Toro’s Frankenstein is set to be released later this year), inspired me to finally give this book a chance. 

Unlike the student from book club, who was reading a physical form of the book, I elected to go with an audiobook. The one I chose was narrated by Dan Stevens, of Downton Abbey fame, and is an unabridged version of the original 1818 text (Shelley apparently reworked the novel multiple times, and the most common version is the one from 1831 edition, which I have heard is both cleaner stylistically and more thematically sanitized, removing some of Shelley’s more progressive social commentaries as well as the detail of Victor’s betrothed being his adopted sister/cousin). Stevens does an excellent job with the narration, and I enjoyed the different voices he did for each character, which felt authentic and not terribly over-the-top ridiculous, which I’ve found many audiobook narrators are guilty of. 

The story itself was also delightfully creepy and surprisingly nuanced. I liked that neither Victor nor Adam—the name the Creature gives himself, after Adam from John Milton’s Paradise Lost, who was, of course, based on Adam from the book of Genesis in the Bible—was fully good or fully evil. They were both just men of the circumstances they found themselves in. And yet, I was surprised to find that, the more I read, the less I sympathized with Victor and instead came to think of him as the villain of the story. 

Supposedly based on her relationship to various men in her life, including her father and her husband Percy Shelley, Mary Shelley sets Victor up as a self-taught genius and a respectable and sympathetic gentleman before revealing the ways he has ruined not only his life, but countless others, by allowing his hubris and pride to get the better of him. He decided to play God and create life, not from nothing but from the pieces of what used to be living humans, and when he succeeded in this monstrous act, when he saw his creation come to life, he panicked and abandoned him without even giving him a name or teaching him anything about what it was to be human, leaving this “Creature” unbound from any area of human society and connected to no culture, unable to be loved by his fellow man. Victor had a whole life to adapt to the life he was born into, that of a man from an established wealthy, land-owning family who could travel to faraway places and study in universities and be free to do commit such dark acts in the comfort of his own home. 

Adam, on the other hand, proved himself nearly immediately not to be merely the “monstrous creature” Victor believed him to be the moment he opened his eyes. He had no origins except for Victor's lab. He had no memories of any life before. He had no language, no connection to any country, culture, or religion. He knew only what he saw, and what he saw was the man who could have—and, he believed, should have—been like a father to him recoil in fear and lock him up in the lab of his creation to die. It was all too understandable to me that Adam would be frustrated with his condition, and angry with Victor for doing this to him. 

But through his observances of humans following his escape from the lab, we see that Adam loves humans, and he wants to help people and to share in the connection they have with one another; he cares about the hardships people endure, and he has opinions on politics and literature and religion. He offers a uniquely impartial perspective as someone who exists outside any human institution (similar to the way Shelley herself must have felt as a woman in early 19th century Britain, who had no rights except those she gained by her connections to men but who, at the time she wrote the first draft of this novel, had been disowned by her father and was unable to marry her then-lover Percy Shelley due to a variety of legal and interpersonal struggles). Despite his disenfranchisement, Adam’s response to many issues is one of love and compassion, yet we also see his capacity for hate in the way he seeks his revenge against Victor, fueled by a desire to make Victor feel the pain and isolation he confined Adam to by abandoning him. 

I’ll leave it there before I spoil anything major (if it’s possible to spoil a two-hundred-year-old book). Overall, I really enjoyed this one, and I can’t recommend it highly enough. 

Various editions of Mary Shelley’s Frankenstein are available at all three campus libraries, as well as in eBook formats through our website and on the Libby app. There is also a wonderful biopic on the author titled Mary Shelley currently available for viewing on Kanopy starring Elle Fanning. 

No Subjects
07/28/2025

Kylie Stanley is a part-time library assistant and full-time student on the Palatka Campus.


As a full-time college student, it is often hard to balance a full course load with a part-time workload and still have a social life. Not to mention, somewhere in that mix, I still want to have time to read one book a month. You may say, “Kylie, that’s not possible.” I have even been told by former and current college students that there is just no time to read, but what if I told you there was? No, it’s not using the “time turner” from Harry Potter, though that would be epic (see what I did there?). But in all seriousness, I have found a way that works for me but it’s not perfect. What works for me may not work for you because each person is different, and what works for me doesn’t work during finals time, but it works for the majority of the semester.

One of the first things I would suggest is having your book with you the majority of the time. I usually use my Kindle or my phone, but you can keep a physical book with you majority of the time as well. This is so that during down time or if you have to wait you can fill in the time by reading instead of hoping you have service so that you can scroll on Facebook.

The second way I am able to fit more reading time in is by reading while I’m in bed trying to fall asleep. I also use my Kindle here, but there are book lights you can buy from Amazon so that you can read in the dark.

Lastly, my biggest piece of advice is to not stress if you are behind in your reading goal or if you didn’t finish a book that month. I myself am behind on my reading goal, and I also did not finish a book in April because I was studying so much for finals that by the time I had a chance to read I was so mentally exhausted that I just wanted to shut my brain off.

In the end, this is what works for me, but it may not be what works for you. Finding a balance is hard and there will never be a perfect balance, but don’t be so hard on yourself reading is for enjoyment not a competition on how many books you can read. So, sit back relax and enjoy a book at your own pace.

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07/21/2025
profile-icon Randi Gibson

When someone tells you that reading fanfiction “doesn’t count” as real reading, I can’t help but laugh. Fanfiction is absolutely reading. It’s reading in the same way as eBooks, graphic novels, serialized web fiction, and even the character-centered spinoff novels that official creators put out themselves. Reading is reading – whether it’s a glossy hardcover, an eBook on your Kindle, or a 200,000-word slow-burn AU on AO3.

Fanfiction = Real Reading. Always.

Fanfiction takes dedication. It can be long-from epic sagas, short character studies, or experimental one-shots. It exercises your imagination exactly like any other prose. People sometimes dismiss it because it’s free, informal, or amateur, but that’s gatekeeping at its silliest. Engaging with language and story is the point. It’s not less valid because it’s free, or because it’s not on a bookstore shelf. You know what else is “just a file on your device”? Every eBook you’ve ever read. But no one says that doesn’t count.

Official “Fanfiction” – When Creators Do It

The best thing is when original IP holders do their own fanfiction. Take Critical Role, for example. The show’s creators have released novels centered on single characters – Like Vox Machina – Kith & Kin, which is a deep-dive backstory for Vex and Vax (two characters from the first DnD campaign Critical Role aired). 

That book is effectively cannon fanfiction: an exploration of existing characters and worldbuilding in a different format. It’s written with care for the established lore, but it’s also playing with gaps, backstory, and characterization – exactly what fanfic does.

Tie-in novels for Star Wars, Star Trek, and Doctor Who have been doing this for decades. They’re licensed, sure – but the impulse is the same: “What if we explored this character further? What if we filled in these missing years? What if we imagined this adventure?”

Fanfiction as Comfort Reading

Another thing I love about fanfiction? It’s pure comfort. Sometimes you just want to live in a world you love for a little longer. Maybe you’re not ready to say goodbye when the series ends, or you need something familiar to enjoy after a long day. Fanfic gives you that. It’s like visiting old friends. You know the characters, you know the setting, you can just sink into it without needing to learn a whole new world from scratch. It’s such a gift for people who want that cozy, immersive escape whenever they need it.

Why Fanfic is So Great

Honestly? Fanfiction is one of the best things to happen to reading culture.

  • It expands universes beyond what’s on the screen or page.
  • It lets people practice writing in a low-stakes environment.
  • It builds these amazing, supportive communities.
  • It gives you exactly what you wantmore time with the characters and worlds you love.
  • It can be unbelievably well-written.
  • The only downside is you can’t add it to your Goodreads account.

Even better, it’s accessible. Not everyone can drop $30 on every new hardback. Not everyone lives near a library or, in my case, works in one. Fanfiction archives are free, searchable, and welcoming to niche interests.

And when the original creators themselves are writing books that fill in side stories, it’s proof that this urge is universal. We all want to see the characters we love in new lights. We all want to answer that burning question, “what if.”

Don’t Let Anyone Gatekeep Your Reading

If you’re reading, you’re reading. Don’t let anyone tell you that fanfiction is “less than” because it’s unedited or online or free. Plenty of traditionally published books started as fanfic (Fifty Shades of Grey from Twilight, The Mortal Instruments from Harry Potter fandom). It’s not a lesser form of writing – it’s just a different distribution channel.

So, keep reading. Keep imagining. Whether it’s a $2.99 eBook, a fanfic epic on AO3, or the official tie-in novel for your favorite show – enjoy it.

Life's too short to worry about what “counts.”

 

No Subjects
07/14/2025
profile-icon Kendall McCurley

I have a confession to make… I’ve never been much of a vampire romance reader. Sure, I went through the Twilight phase back in the day and fell in love with True Blood, but I always assumed the genre had moved on or lost its bite (pun intended). That was until a new TV series popped up on my streaming suggestions - sleek, moody, stylish, and called The Black Dagger Brotherhood. I clicked out of curiosity, not knowing it would lead me down a rabbit hole I hadn’t expected.

As it turns out, season one of The Black Dagger Brotherhood is based on the first book, Dark Lover, in the paranormal romance series (with the same title as the show) by J.R. Ward. The series has been around since 2005, and while I’ve definitely seen many books by Ward, I’ve never been inclined to pick one up until now. And after one episode of the TV adaptation, I was hooked - on the show and, more importantly, on the source material.

The book follows Wrath, the last purebred vampire on Earth, and the reluctant king of his race. He’s a warrior - brooding, deadly, scarred by grief and duty. When one of his fighters is killed, Wrath is asked to protect and help transition that man’s half-human daughter, Beth, who is about to go through her first change into a vampire. What follows is a dark, seductive, and surprisingly emotional journey as Wrath and Beth navigate love, loyalty, and the violent threats facing their world.

Dark Lover might sound like another paranormal romance with a tough alpha male and a damsel in distress, but J.R. Ward builds something deeper and more complex. There’s a gritty realism in how she portrays the Brotherhood—these warriors aren’t just muscle-bound protectors; they’re broken, layered, and often haunted. The world-building is rich, blending ancient vampire traditions with a modern, urban edge that feels both immersive and fresh.

Watching the show gave me a taste of this universe, but reading the book brought it fully to life. The TV series does a great job capturing the moody aesthetic and the core plotlines, but there’s something intimate about the way Ward writes - her dialogue is witty, her pacing is sharp, and she’s not afraid to go to dark places emotionally or thematically. I found myself caring not just about Wrath and Beth, but about the other Brothers too—especially Rhage, Tohr, and the tormented Zsadist, whose stories unfold in later books (no, I haven’t started reading them… yet).

I think what impressed me most was how Dark Lover manages to balance intensity with tenderness. Wrath is intimidating and dangerous, but his growth throughout the book is sincere and moving. His romance with Beth feels earned - not just lusty attraction, but genuine connection. (This can be the downfall of many romance novels!) Beth, meanwhile, is no shrinking violet. She’s smart, independent, and determined to make sense of the new world she’s been thrown into.

It’s also worth noting that Ward’s writing has a signature style. It’s unapologetically bold - full of slang and grit - but it works. She creates a tone and rhythm that feels like it belongs uniquely to this world. And once you get into the cadence, it’s impossible not to be swept along.

I’ve always believed that the best adaptations are gateways, not substitutes. A good TV series should make you want to pick up the book, dive deeper, and live in the world a little longer. That’s exactly what happened here. Watching The Black Dagger Brotherhood on screen made me realize that there was a whole world—over twenty books deep—that I had somehow missed. And now, I’m playing catch-up in the best way possible.

I didn’t expect to fall in love with a paranormal romance series in 2025, but here we are. Sometimes, all it takes is the right nudge—a moody trailer, a well-cast actor, a story that catches you off guard—and you’re off, swept into a world full of danger, love, and ancient vampire politics.

So if you’re looking for something dark, sexy, emotional, and wildly addictive, do yourself a favor and pick up Dark Lover. Just don’t be surprised if you find yourself reading into the early hours of the morning, wondering what happens next.

No Subjects
07/06/2025

Mythology…Irish style

A person walking on a sidewalk next to a storefront

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                              *Hodges  Figgis: Bookselling since 1768                 Photo credit: Dara Giddings    

This week's guest blogger is Sam Ulrich. Sam is a student and long-time member of the St. Augustine Campus Book Club.

 Before reading her blog, get to know a little bit about Sam!

  • Genres I like to read: psychological, horror, mystery, fantasy, fiction, young-adult, dystopian, biography, romance, manga
  • Favorite books: Lord of the Flies, The Lunar Chronicles, Heart-Shaped Box, I’m Glad My Mom Died, They Both Die at the End, I Fell in Love with Hope
  • Least favorite books: The Twisted series, A Magic Steeped in Poison
  • Authors I enjoy: Joe Hill and Stephen King
  • Where, how, and why I like to read: I enjoy reading in the comfort of my own room, nestled in my beanbag, absorbed in a book for hours. Sometimes my cat will join me, curling in my lap, which makes the experience only a million times better. I enjoy listening to books on Libby or Audible while simultaneously reading the physical copy, and sometimes I will go on walks and listen to the book. The last time I did that was with NOS4A2 by Joe Hill when it was pitch black outside. In my opinion, it made the experience even better. I’ve always enjoyed reading ever since I was a little girl and the bookworm inside seems to grow with me. There's something amazing about connecting with a character, feeling their emotions as if they were your own, or even struggling to understand their perspective. Books take you into a whole other universe, and sometimes that’s something we need when life gets a little hectic. And when you need a break, this best friend will always be there, waiting. That’s my favorite part!

From May 15th to the 25th I traveled to Ireland for a study abroad trip with SJR students and had an amazing experience. I wanted to buy a book from there that had a lot to do with Irish culture and history, but at the same time was an interesting read. I visited many bookstores while I was there and one had a section that was meant to be for “gifts.” I saw this section and thought to myself “wow this would be a perfect gift … for me!” At Professor Giddings' suggestion, we traveled to Hodges Figgis Book Store* where I bought Otherworld: Nine Tales of Wonder and Romance from Medieval Ireland by Lisa M. Bitel and took it home with me to be able to share with all of you. 

I’ve always had an interest in mythology, although I never dove deep into the genre. When I was little, I had this huge storybook that my mom would read to me, and my favorite story from it was the one with Hades and Persephone. You could say my reason for liking the story at the time was probably “not for the right reasons” as I would flip back to the picture of Hades with his three-headed dog, Cerebrus, more times than I can remember. Of course I was infatuated by the story, but I also wished I was the one in Persephone’s shoes. 

There are nine stories in this mythological adventure, and the one I want to share is “Tochmarch Étaíne—The Courtship of Étaín.” The story is roughly 50 pages long and has some absurd aspects to it (as all mythology usually does). There are multiple main characters but the two I found most entertaining are Mac Óc and Midir. Midir is a foster parent to many boys, Mac Óc being his favorite. The thing I find most entertaining about Mac Óc is how ridiculous he is to call himself a proud warrior, and at the same time be the biggest crybaby in the world. He makes fun of a guy named Tríath for his race saying, “it galls me that a slave’s son should speak to me,” but the moment Tríath bites back at Mac Óc for not knowing his mother or father, he immediately “went wailing and grieving to Midir.” As if he wasn’t bad enough already, when Mac Óc finds out his biological father is Daga, who is a king, he becomes even more entitled and spoiled throughout the story as he cries to Daga whenever he needs something to be done. It definitely makes for a hilarious read.

Midir, on the other hand, is very cunning. He knows how Mac Óc is and uses it to his advantage, eventually gaining some riches and a beautiful woman, Étaín, from it. Although Midir is supposed to be smart, he brings Étaín back home to his wife, who, driven by jealousy and rage, basically takes her into the back and turns her into a puddle. Which then, somehow, turns Étaín into a worm, and then a beautiful fly. It made me think of the question that is so frequently asked by significant others as a trap, “would you still love me if I was a worm?” And I have a feeling Midir loved her even more, which was a funny thing to think about.

Those were only small parts of the story that I found interesting, but there are so many other things that go on in “Tochmarch Étaíne—The Courtship of Étaín,” that are, yes, ridiculous. But if you are a fan of mythology, I think you will enjoy some of these stories. I know I did.

A book cover with a couple of people

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No Subjects
06/30/2025

 

Abby holding a newly-sheared, adorable sheep   

This week's guest blogger is Abby Flowers. Abby is a student and long-time member of the St. Augustine Campus Book Club.

Before reading her blog, get to know a little bit about Abby!

  • Genres I like to read: Romance, Mystery, and Young Adult
  • Favorite books: Truly YoursBad Summer People, and Crazy Rich Asians series
  • Least favorite books: Where the Crawdads Sing
  • Authors I enjoy: Hannah Grace and Abby Jimenez
  • Where, how, and why I like to read: I like to listen to audiobooks in my car, oftentimes missing exits because I’m caught up in a storyline, at the beach or pool via on my kindle. I got my love for reading from my mom, who is a librarian and kept me surrounded by books.

My first thought when I saw Better Together was “wow, this is over 400 pages” and that’s pretty rare for a fiction book I usually read, but I figured it would be great to take this with me on my trip to Ireland, where I traveled as part of a study abroad for my Irish Literature class at SJRState.  I had a wonderful time spending a couple of weeks touring around Ireland.  Seeing sights from Dublin to West Port, we enjoyed historical sights and a literary pub crawl.  It was truly amazing, and I would encourage anyone who has an opportunity to go on one of the study abroad trips to do so.  A highlight for me was Galway, because it has so many things to do and in the surrounding area we saw the Doolough Valley, where the Irish people walked through during the great famine. We even got to see a sheep farm where we watched the farmer shear the sheep followed up by being able to hold them. That’s me in the picture! Holding the sheep was an absolutely an amazing experience since most of them were just babies and freshly cut. We learned that sheep don't typically get sheared until they're about one year old. Holding the sheep was also one of my favorite memories! Of course, getting around meant a lot of time on the bus, so it was a good thing I had Better Together by Christine Riccio to keep me company. 

When we meet sisters Jamie and Siri, they are living on opposite coasts and struggling in their very different lives.  It would be great if they could lean on each other for support, but Siri doesn’t even realize Jamie exists!  Jamie is struggling with her anxiety while she harnesses her sarcastic personality to become a comedian.  Siri has a quiet discipline that she learned through years of dancing. When life strikes with a string of disasters for both the girls, they decide to head to a retreat in Colorado to help get their lives back on track. 

When fate intervenes, Jamie and Siri discover each other (think Parent Trap-style meeting), and they hatch a plan to take a walk in the other’s shoes, confront their parents, and work through their family trauma.  With the help of a magical glitter box, they swap bodies and embark on a Freaky Friday-style adventure with hilarious moments of growth you’d expect.  These two strong female characters prove that no matter what life throws at you having someone to lean on during rough times makes all the difference. 

This book does feel a little long at times, and yes, this book makes you think of some of those old storylines that I mentioned, but Christine Riccio weaves a yarn that tackles some tough topics like family dynamics, trauma, anxiety, and learning to live on your own terms in a way that is heartfelt and vulnerable, but with plenty of humor to balance it out. 

 

 

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